5 years on: How 2
papers fared with commercial printing
By Chuck Moozakis
Editor-In-Chief
Editor’s note: In March 2003,
Newspapers & Technology profiled the commercial printing operations of two
papers, the Pueblo (Colo.) Chieftain and the Fayetteville (N.C.) Observer. Five
years later, both papers report continued success, and both point to their
commercial operations as key revenue streams helping them to weather the
economic headwinds buffeting their core products. Their stories:
Pueblo: ‘Even more
important’
If anything, the money The
Pueblo Chieftain generates from its commercial printing business today is even
more critical than it was in the early 2000s, said Marvin Laut, the paper’s
general manager.
“When you look at the
struggles the newspaper industry is facing, and with the cost of newsprint going
up and ad revenues flat, commercial printing is even more important,” he said.
“On the commercial side, our
task is to print jobs and produce a high-quality product. It’s a different
business. Even if some of the paper’s profit declines, commercial printing
stabilizes the business. We have the iron sitting back there. We might as well
have it running.”
Laut said The Chieftain’s
roster of commercial clients still primarily centers on area newspapers and
periodicals. The paper, he said, added a number of major accounts in the past
few years, including the production of a weekly Denver newspaper, an outdoor
guide and an auto trader in Colorado Springs.
These clients are in addition
to an alternative weekly paper and other periodicals The Chieftain (daily,
48,491; Sun day, 50,687) has printed for years.
Although the mix of clients
hasn’t dramatically changed since 2003, The Chieftain did bolster its production
infrastructure, adding two thermal computer-to-plate systems from Kodak and an
associated plate bender from Glunz & Jensen K&F Inc.
“That’s worked out very well,”
Laut said. “It helped us cut production time and registration is right on the
mark. We’ve been able to get our SNAP (specifications for newsprint advertising
production) certification and we’re very proud of that.”
It also moved to an
electronic, Web-based print ordering system, eliminating paper orders.
Execs are also evaluating
changes to the paper’s MAN Roland singlewide Uniset press, which The Chieftain
commissioned in 1997 as part of an $8 million production upgrade.
“We’re experimenting with
higher quality ink, and we are also looking at narrowing our web width,” Laut
said.
Laut said the press itself
doesn’t need any upgrades. In 2002, The Chieftain added an inline quarter-folder
to the machine and it upgraded postpress with a stitcher trimmer and commercial
stackers from Muller Martini.
The paper has been able to
avoid the pitfalls of underbidding its commercial work through an in-house app
that allows managers to quickly access fixed and variable costs. “We then add in
the margin,” Laut said. “We typically bid this way and it’s worked out.” If
prices for consumables, such as newsprint, threaten to rise, Laut said he
informs clients right away, and will even share with them invoices from
suppliers so they understand the impact of price changes. “It’s better to be
honest with them,” he said.
Laut said margins from The
Chieftain’s commercial operations remain firmly in the double-digit range,
affording the family-owned the paper some additional breathing room in the
Pueblo marketplace.
“We have a formula that’s
working, and we’re providing a high-quality product,” Laut said. “We take
tremendous pride in our production,” he said, citing the work of Chieftain
Production Director Ned Sutton. “When we get a commercial job, we keep it.”
Fayetteville: Double-digit
growth
In 2003, former Production
Director John Jenkins had big goals for Target Printing and Distribution, the
commercial printing arm of the Fayetteville Observer.
By 2008, Jenkins said, he
expected Target to hit the $10 million mark, a goal that current Production
Director Ron Cartledge said the unit has surpassed.
“Our growth is at double
digits,” he said. “We’re well over the ($10 million) mark.”
Cartledge took over Target in
2006, six years after Fayetteville Publishing, the family-owned company that
prints the Observer, opened a 200,000-square-foot production plant built around
a six-tower Koenig & Bauer AG doublewide Colora press equipped with two folders.
In addition to the press,
Target also equipped itself with a Gammerler rotary trimmer and a stacker. Glue
tips and a quarter folder, each installed on the Colora, serve as a foundation
for the firm’s specialty work.
The press and associated pre-
and postproduction equipment enabled the paper to diversify its operations, a
decision that’s bearing fruit.
“We’re very happy with where
we’re at,” Cartledge said.
Target generates the bulk of
its business today from producing some 21 weekly newspapers. It also does a fair
amount of business printing materials for area colleges as well as producing
specialty jobs.
Like The Chieftain, Target
hasn’t made too many changes to its printing infrastructure, Cartledge said. It
did migrate to CTP in 2006, adding two violet platesetters from Agfa. It also
added color proofing software from Newscolor and upgraded its presetting app,
tapping EAE for the software.
“We run a lot of pages with
4-color, and that’s our claim to fame (for our commercial clients),” he said,
explaining why Target invested in proofing and presetting apps.
The printer also rolled out a
more formal job scheduling system. “When we first started, we had a calendar and
we’d write down the jobs. It was almost like a job jar. Now we take a close look
at scheduling, so that we know what’s coming up and that we can schedule
comparable jobs, which helps reduce makeready.” It also consolidated cost
accounting software on a single server, allowing operators to view pricing
information for both the daily paper and commercial jobs on a single screen.
Because the press has two
folders, Cartledge said he can schedule jobs more efficiently and run them while
also printing the Observer.
“Our forte is high-quality and
high-color,” Cartledge said. “Since we also have variable web width on the
press, we can go as low as 32 inches and we can even run single sheets.
“What we learned is that cost
of materials is key. You have to be honest with customers with waste. You’re not
going to do a job and just have 1,500 waste copies. You have to be realistic
about expectations, and with the higher cost of paper and ink you have to make
sure you adjust. Don’t go after jobs that don’t fit. Don’t stretch. Stick with
what you know.”
